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1. Niepce invented the ideology of a light sensitive surface. His famous piece, View from the Window at Gra (1826), required a long exposure piece. He created pieces as a way to potentially improve the recording of images through exploring various techniques.
Maybridge experimented through aerial and movement photographs like in his piece, Galloping Horse (1878). He seemed to use photography to figure out answers to questions both scientific and miscellaneous. This included like if a horse's four feet are ever on the ground at the same time.
Talbot invented the calotype method in 1841, this included the creation of the paper negative
Stieglitz was against the wealth that appeared to come from newer Art Nouveau movements and attempted to encapsulate fine art in his photography through abstraction and the inclusion of European avant-garde painters. This is shown in his piece The Steerage.
2. Each of these painters have essences of the aspects of light, technology, daily life, social issues, and the Art Nouveau movement as a whole. While Maybridge and Niepce incorporated more of light and daily life into their photographs, this was mostly because they were the front-runners of the technology movement surrounding cameras and photography. They primarily focused on the technology surrounding the photograph and how to best capture the image, as seen in the various process that were invented throughout those years (Daguerrian, Calotype, etc...). Then, after the basics of technology and light of the photography movement were understood, artists like Stieglitz became fascinated with utilizing photography for social movements and capturing the difference in classes as well as using cameras for more artistically passionate purposes rather than more reasonable ones.
3. I took this photo while I was touring Oregon recently. It was an unusually beautiful and sunny day in Portland and my father and I were exploring gardens. I love this image because of the use of light throughout the image as well as the composition. Though it is a little top-heavy, I love the framing that the stone and the canopy of flowers creates to build a framework for the photograph. The colours that are affected by the light are beautiful and the colours within the river are gorgeous.
Maybridge experimented through aerial and movement photographs like in his piece, Galloping Horse (1878). He seemed to use photography to figure out answers to questions both scientific and miscellaneous. This included like if a horse's four feet are ever on the ground at the same time.
Talbot invented the calotype method in 1841, this included the creation of the paper negative
Stieglitz was against the wealth that appeared to come from newer Art Nouveau movements and attempted to encapsulate fine art in his photography through abstraction and the inclusion of European avant-garde painters. This is shown in his piece The Steerage.
2. Each of these painters have essences of the aspects of light, technology, daily life, social issues, and the Art Nouveau movement as a whole. While Maybridge and Niepce incorporated more of light and daily life into their photographs, this was mostly because they were the front-runners of the technology movement surrounding cameras and photography. They primarily focused on the technology surrounding the photograph and how to best capture the image, as seen in the various process that were invented throughout those years (Daguerrian, Calotype, etc...). Then, after the basics of technology and light of the photography movement were understood, artists like Stieglitz became fascinated with utilizing photography for social movements and capturing the difference in classes as well as using cameras for more artistically passionate purposes rather than more reasonable ones.
3. I took this photo while I was touring Oregon recently. It was an unusually beautiful and sunny day in Portland and my father and I were exploring gardens. I love this image because of the use of light throughout the image as well as the composition. Though it is a little top-heavy, I love the framing that the stone and the canopy of flowers creates to build a framework for the photograph. The colours that are affected by the light are beautiful and the colours within the river are gorgeous.